“You want to take people right to the edge,” James Watkins, director of DC’s new Clayface movie, says of his body-horror flick, which enters the comic book movie pantheon this weekend. Though an argument can be made (and easily won) that the Batman villain is more mainstream than the likes of
October is spooky season, and nothing sells better than a horror movie before the season of the witch. This weekend, however, brings a horror film with a bit of a twist. Warner Bros. and DC Studios are unveiling Clayface, a body horror psychological thriller based on the titular character from DC
This weekend, DC Studios steps back into Gotham City, but without its Caped Crusader, Batman. Warner Bros. has done the standalone villain movie treatment before with 2019's Joker, a film that pulled in $1.079 billion globally at the box office, but the DC Universe will have its first run at it
DC Studios is branching out. Instead of following the normal comic-book movie playbook, we're getting a movie based on the Batman villain, Clayface. Clayface is an interesting look at what we can do when a comic-book villain gets humanized a bit. The film stars Tom Rhys Harries as Matt Hagen, an
Clayface has always been one of the most interesting of Batman's villain gallery. After all, he's the villain who goes down the villain route after something causes him to be able to freely alter his form. As though his body was made of clay, hence his supervillain name. However, with great power
Tom Rhys Harries is a chameleon. Or is that Matt Hagen? In the latest trailer for the DCU film Clayface, we're given a deeper look into Matt Hagen/Clayface's ability to change his appearance and what exactly losing control of your look can do to an actor. Based on the villain from Batman's Rogue's
"The Debut" turns a comedy that pokes fun at the sincerity of the local stage and elevates it to a fascinating character study of a woman on the edge. While still being hilarious.
Netflix's animated adaptation of AJ Dungo's graphic novel is a gorgeous and deeply moving love story that reminds us that grief never truly disappears, but neither does the love we carry for those we've lost. Last night, I had the opportunity to watch Netflix's new animated film In Waves, directed
The Apothecary Diaries thickens up the plot with some serious family and political drama in Ep. 51 "Let Them Eat Cake". Students of history will readily recognize that title as the most infamously apocryphal line Marie Antoinette spoke just before the French Revolution came calling, indicating her
