Juror #2 did not deserve the release that it got in theaters from Warner Bros. Discovery. To say that it was barely put out there would be an understatement. The film from Clint Eastwood, yes, the Clint Eastwood who has made WB plenty of money over the years, released in less than 100 theaters
Justice should be blind, but in reality, it's in the eye of the beholder. That's what Juror #2 wants you to think. We might look at the American justice system as a success story, but there are gaps that allow things through. This is Clint Eastwood's final movie, and it challenges what you might
Oasis: Don’t Look Back in Anger feels like a movie that’s selling itself as something deeper than it ultimately is. There’s an expectation that we’re going to get this grand story about the Gallagher brothers reconciling, putting aside their differences, and coming back together for these
There will be many moments during Paul Greengrass's new film The Uprising that create chilling parallels to recent historical events. His exploration of the 1381 peasants revolt in Medieval England is rooted as much in historical fact as it is relevant to the present day. Some of this is clearly by
“By Any Means” treads familiar ground, but Mark Wahlberg shines as real life Hitman-turned-Fed informer Gregory Scarpa, and behind the tropes and cinematic conventions is the kernel of a true story that has relevance to this day. Mark Wahlberg is distracting (mostly in a good way) throughout