Mark your calendars for July 1, 2026 and pick out your favorite pair of heels, because Prime Video today announced that Elle, the highly anticipated Legally Blonde prequel series from Hello Sunshine and Amazon MGM Studios, will premiere on July 1 exclusively on Prime Video in more than 240
On Wednesdays, we wear pink. Okay, wrong movie, but it’s the right sentiment. Prime Video just unveiled a new look at its upcoming Legally Blonde prequel series. The upcoming show stars Lexi Minetree as Elle Woods, the teen version of the character played by Reese Witherspoon in the original
Prime Video’s upcoming Legally Blonde series just got a little bigger (and a little blonder). Deadline revealed today that June Diane Raphael will join the show’s cast. Raphael will star in the series in a leading role opposite previously cast Lexi Minetree. Minetree will play the young Elle
Legally Blonde has cast a new Elle Woods for the prequel series. Prime Video found Lexi Minetree for the role. Reese Witherspoon was so excited that she decided to help announce the news on her social media profile. Witherspoon’s enthusiasm radiates off the screen in the video down below. Minetree
Prime Video and Reese Witherspoon are teaming up to make a Legally Blonde TV series. (What, like it’s hard?) During Amazon Studios’ Upfronts presentation, the studio revealed plans for Elle, a Legally Blonde prequel series. The show follows Elle Woods in high school. It will showcase the life
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there