Mamo #4 teaches us that cliffhangers are a terrible, terrible thing to have in a story. Especially when said cliffhanger happens right in the middle of an epic battle between witches.Mamo #4 is the 4th issue of this fantasy comic book series. Sas Milledge (The Lost Carnival: A Dick Grayson Graphic
In Mamo #3, Orla manages to say those 3 words that would have Admiral Ackbar grinning like a madman. Well, mad-fish-thing. You get the idea.Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) remains the writer and artist behind Mamo. Thus, she remains so for this 3rd issue. Sas Milledge
Mamo #2 proves that while some witches might deserve to die, they may not always stay dead. Not for long, at least.Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) is the writer for Mamo #2, as she was for the previous issue. Milledge is also the artist for this comic book series,
Mamo #1 gives us a clash between modern witchcraft, and the dark arts of unseelie fae. With some possible yuri in the future.Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) is the writer for Mamo #1. Milledge is also the artist for this comic book, so she's basically your average
Carrie is one of Stephen King’s most loved and cherished works of fiction. Made into a seminal 1976 film and a later, more disappointing 2013 one, Carrie is an ageless tale of bullying, puberty, and female rage. When Mike Flanagan announced he was tackling the story of a telekinetic
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
If you strip everything else away, at the core—the soul, the center—of DreamWorks Animation’s “Forgotten Island” is the pure, unadulterated power of goddamn friendship. Potential spoilers ahead! “Forgotten Island” (written and directed by Januel Mercado and Joel Crawford) is,
