![Shell: Director Max Minghella [INTERVIEW]](https://thathollywoodshow.com/wp-content/uploads/2025/10/project_20251008_0128283-01-660x371.webp "project_20251008_0128283-01")
In a world that is becoming increasingly obsessed with looks and continued youth, Shell strikes a similar chord to 2024's The Substance in how filmmakers reflect this back to the viewers. While youth is an ephemeral thing, people will still do whatever they can to desperately grasp it, and Shell
On October 1, 2010, The Social Network opened nationwide and became an instant classic in the process. While a movie about the founding of Facebook might not seem like a nailbiter, director David Fincher and screenwriter Aaron Sorkin presented the story with a sense of urgency that allowed the film
![Max Minghella Eyes Role in DC’s Clayface Alongside Tom Rhys Harries [Rumor Watch]](https://thathollywoodshow.com/wp-content/uploads/2025/08/max-660x371.webp "max")
It was reported back in June that Tom Rhys Harries would star as Clayface, and now another big name may be joining the cast. It is now being reported that Max Minghella, the Emmy-nominated Handmaid’s Tale actor, is in talks to join DC Studios’ Clayface, which is set to hit theaters on September
I'll get right to the chase with The Heretiks. The film does not screw around in the slightest. It might look and feel like a Disney Channel Original movie, but it adds in some serious gore, witchy vibes, and some interesting rules for said witchcraft. Kids get stabbed, fingers get broken, faces
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
A common theme through many of the films at TIFF - especially the historical ones - feature women who lament being girls. Whether it’s The Julia Set (2026), Magazine (2026) or even La Bola Negra (2026), it’s hard being a girl, but also beautiful and Priscilla captures that irony with compassion
