Sasaki and Peeps Ep. 4 "The Prince and the Sage" is quite the heartwarming episode after the melancholy of the previous one. I would best describe this latest episode as the breaking dawn after the long night. After you watch this episode, I think that might be your opinion as well. Especially when
Sasaki and Peeps Ep. 3 "The War and the Young Lady" deviates from the anime's usual formula in some very interesting ways. The previous two episodes have been a delightful mix of slice of life comedy and dark fantasy thriller. This third episode still has slice of life comedy in it, but there's no
Sasaki and Peeps Ep. 2 "A First Job and a Partner" gives us more of the slice of life fantasy comedy that attracted me to the anime in the first place. However, this episode also gives us a surprising amount of paramilitary fantasy action as well. I mean, what else do you call it when Sasaki's
Sasaki and Peeps Ep. 1 "Real Life and Fantasy" is an anime that keeps giving you unexpected twists and turns. I came into this anime thinking that it was just a comedic take on an isekai fantasy anime. To be fair, that's what this anime adaptation of the novels of the same by Buncololi starts out
Sasaki and Peeps (Sasaki to Pii-chan in Japanese) is one of the most promising new anime series coming to Crunchyroll. At least part of it is because this anime adaption of the novels of the same name by Buncololi is a much more comedic take on the usuak isekai anime genre. It's probably why it's
Sometimes the best way to access the core of a film is to let it take you over completely. Locked behind metaphorical dialogue and an obtuse artistry, the key to the door is simply letting it all in and fester inside until the understanding comes to light. You can't second-screen a film like this,
There's a growing trend in cinema right now, and that is the trend of movies being fun again. Just a good old-fashioned time at the theater (or home since streaming accounts for most viewership these days) filled with laughs and action and heart that remind you why you go to escape in the first
When Margaret Atwood returned to Gilead almost 35 years later, with her book The Testaments, the sequel to her seminal The Handmaid’s Tale, they said she could never match its genius. The story more than matched her 1985 dystopian classic, winning the 2019 Booker Prize, feeling horrifically timely