Yes, I can hear the aggro chuds out there screaming from the rooftops about another horror movie remake/reimagining; however, Silent Night Deadly Night is enough of a departure from the original, to qualify as something interesting and new. The new film stars Rohan Campbell (Halloween Ends, The
Yes Virginia, Santa Claus has an axe again! Just a little over 40 years since the original shocked audiences and caused quite an uproar, Silent Night, Deadly Night’s previously announced reimagining is about to change the way you think about this infamous franchise. Writer/director Mike P.
It's about damn time that someone else tries to take up the holiday slasher mantle. We've had Thanksgiving, but only Art the Clown has really tried to take on Christmas, lately. Thankfully, the good folks at Cineverse are bringing that holiday slasher cheer back with Silent Night, Deadly Night.
Cineverse and Bloody Disgusting are taking on one of the biggest classics in the slasher genre with a new take on Silent Night, Deadly Night. They're touting it as a new vision of the fan favorite slasher franchise from the 1980s. BD is reporting that Rohan Campbell (Halloween Ends, The Monkey) has
Silent Night, Deadly Night is a classic of the slasher genre, now it appears it's going the way of a lot of slashers, remakes and reimaginings. Deadline has the news that Cineverse (the distributors and producers of Terrifier) has acquired global rights to a new version of the classic film. The
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there