The Star Trek family has rallied around each other twice now this week. First was the passing of Walter Koenig, and now Patrick Stewart has passed away at the age of 86. Tributes from various members of the fandom and the cast are pouring in as the day goes on. William Shatner posted the following
Walter Koenig, known for his work in the Star Trek franchise as Pavel Chekov, has passed away at the age of 90. Koenig lovingly played the Russian navigator of the USS Enterprise from the series' creation in 1966 and went on to star in the Star Trek movies with the rest of the original cast.
Paramount+ and CBS Studios return to San Diego for this year’s San Diego Comic Con, with unforgettable fan experiences in anticipation of the new season of the hit Paramount+ original series, Star Trek: Strange New Worlds, along with celebrating Star Trek’s milestone 60th
Paramount+ has released the teaser trailer for Season 4 of Star Trek: Strange New Worlds. Cast members Rebecca Romijn, Ethan Peck, Celia Rose Gooding, and Paul Wesley unveiled the upcoming season’s official teaser at CCXP Mexico during the Paramount+ Thunder Stage presentation, in front of a full
Star Trek: Starfleet Academy will end after its second season when it airs on Paramount+. The show was originally picked up on the streamer and renewed for a second season before the first had aired. The first season debuted in January 2025 and aired its season finale on March 12. The second season
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
George Carlin told perhaps the greatest joke on football ever told in his 10/11/1975 SNL monologue, where he contrasted the pastoral nature of baseball with the warlike sport of football. To quote one segment among many, “In football the object is for the quarterback, also known as the field
The term "crowd pleasing" or "crowd pleaser" has found itself layered with some derogatory undertones among critic circles. Broad appeal seems immediately discounted, as if populist filmmaking is somehow lesser than when compared to auteurs and hidden indie gems. I've always maintained that there