Dead Eyes drops you directly into the nightmare…whether you want to be there or not. Told entirely through a first-person POV, the film follows Sean (Rijen Lane) and his fiancée, Grace (Ana Thu Nguyen), as they venture deep into a remote forest in search of Sean’s missing father. His
In Wishful Thinking, love isn’t just complicated, it’s cosmically unstable. Charlie (Lewis Pullman), a struggling musician, and Julia (Maya Hawke), an ambitious video game designer, are stuck in that uniquely frustrating relationship purgatory: they can’t make it work, but they can’t seem
There seems to be something in the water over at the Apatow house. The irreverent comedy is alive and well, the mantle carried by Maude Apatow in her directorial debut with Poetic License. Everything you love about buddy comedies, foul-mouthed protagonists, and aimless man-child antics are all
Director-writer duo Alex Prager and Vanessa Prager bring their dystopian science fiction satire Dreamquil (2026) to SXSW with a film that blends retro aesthetics, AI anxiety, and domestic discontent. The story centers on Carol (Elizabeth Banks), a wife and mother struggling to balance career
Writer/Director Macon Blair is trying to bring back the chaotic road-trip comedy with The Shitheads. But does it work? I’m unsure. There are moments that land and genuine laughs sprinkled throughout, but it has left me wondering if the movie itself misses the mark or if I’ve simply outgrown this
Let’s talk about one of my favorite films to come out of SXSW, Edie Arnold is a Loser. The story is a coming-of-age indie film that channels teenage alienation through the raw energy of punk. The story follows the shy Catholic School dork, Edie Arnold, who is dragged against her will to a punk
"Edie Arnold is a Loser" is premiering at this year's SXSW in Austin, Texas. The comedy feature film is co-directed by Megan Rico and Kade Atwood. Ahead of it's debut here is the film's official trailer! Check it out below! ABOUT "EDIE ARNOLD IS A LOSER" Timid Catholic school dork Edie Arnold is
SXSW is where genre films go feral, indies get discovered, and at least one midnight screening turns into the movie everyone pretends they saw first. This year’s lineup feels aggressive in the best way. Big casts. Horror dominance. Streaming premieres are stacked next to theatrical plays. And more
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach