This week from DC Comics we get an issue focusing on a long existing but seldom used character, Huntress. She found some life in the Birds of Prey titles, but in the regular Gotham titles it seems like she only shows up for big events. Huntress may be a one-shot, but Batman Secret Files will be an
[et_pb_section admin_label="section"] [et_pb_row admin_label="row"] [et_pb_column type="4_4"][et_pb_text admin_label="Text"] I went into Stillwater with the expectation that this was going to be like a lot of the Matt Damon-type action-thrillers. The stuff he does with Paul Greengrass like The
Hello everyone, your friendly neighborhood Professor Hulk here. I’m about to drop some knowledge on some exciting stuff going on in the film and TV world. Last time we shared with you that Marvel is changing Ms. Marvel's origin; this week we’re talking about an update on Black Panther: Wakanda
Horizon Zero Dawn: Liberation #1 manages to do what the video game didn't have the time for. That would be: giving Ersa a backstory. Love the anime-like art style of this cover. Cover A artist: Peach Momoko. Ben McCaw and Anne Toole are the writers behind Horizon Zero Dawn: Liberation #1.
Let's get it out of the way. The Suicide Squad is James Gunn's "f**k you" movie. Thankfully, Marvel came to their senses and brought him back for Guardians of the Galaxy Vol. 3 and other Marvel projects. By "f**k you" movie, I mean this is a big FU to a lot of people out there. Do you think DC
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge