This week from DC Comics we get the shock of our lives. Okay, maybe not quite that big, but I was pleasantly surprised when I read this issue. When they ended Harley's previous title, I loved where they took the character. I was excited to hear she would receive a relaunch instead of being
This week from DC Comics we continue to follow Diana on her hunt for Janus. In Wonder Woman 778, Diana, Siegfried and Ratatosk undertake part 9 of this incredible journey through the multiverse. Each jump leads them to a new and sometimes unexpected destination. No matter what they do they always
If you have ever been to Las Vegas you know it is always good to have a little luck on your side. Well, that was true for a few people that attended CinemaCon in Las Vegas and were treated to a viewing of Ghostbusters: Afterlife. Judging by the reactions out there we are in for a good time. One
This past weekend Netflix dropped their latest chapter in the world of Witchers. Witcher: Nightmare of the Wolf serves as a prequel to not only the live action story, but Geralt himself. Nightmare of the Wolf runs for 1 hour 23 minutes and focuses on Vesemir, the man who would train Geralt from a
This week from DC Comics Gotham faces its worst nightmare, and no it does not come from a supervillain. This time it comes from a Superhero. In Detective Comics 1042, we see what happens when The Batman takes a trip to the dark side. In the last issue, Batman became injected with Mr. Vile's virus
This week from DC Comics we get the junior version of the Council of Owl. Robin 5 instead gives us the council of Robins. The last issue ended with all four major former Robins coming to talk with Damian about his reckless behavior. First, he had to deal with the return of Ra's Al Ghul, but now
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
