Brandon Davis got to sit with legendary director Brad Bird at San Diego Comic-Con to talk about Bird’s newest animated Netflix feature, Ray Gunn. Starting things off with a little banter, Davis and Bird talked a bit about the Comic-Con experience. Prompted about his first time appearing at
Prime Video, with a little help from Academy Award winner Nicolas Cage, has announced the release date for the upcoming film, Madden. The film stars Cage as the NFL legend and Christian Bale as Al Davis. Madden will follow the journey of John Madden from Super Bowl-winning coach to TV announcer and
Minions and Monsters is the third and latest entry in Illumination's Minions franchise. Having made its U.S. theatrical debut on July 1, 2026; it then went on to become the best-received entry in the series since the first Minions movie back in 2015. It's not saying much, but when you look at just
PAW Patrol is perhaps one of the most successful children's franchises in history. It's not hard to see why either. It's a Canadian animated TV series by creator Keith Chapman starring various animated dogs in various public service roles, including police and search and rescue. Despite the
You see how this looks, right? A24 has released the full trailer for Primetime, giving audiences the first look at Robert Pattinson as “To Catch a Predator” host Chris Hansen. For anyone unfamiliar with To Catch a Predator, the show followed Hansen and a film crew as they conducted sting
It certainly is a Brand New Day! Spider-Man more than proved itself as a top-tier comic book IP when Spider-Man: Brand New Day shattered box office records with a $360.1 million domestic opening, besting Avengers: Endgame, and a worldwide start of $932 million. The film has already cleared a
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
