Dylan Meyer's directorial debut, The Wrong Girls, is an enjoyable romp made specifically for women who love weed and cats. The new movie stars Meyer's real-life wife, Kristen Stewart, as Frankie, a Stanford dropout-turned-delivery woman who spends her free time getting high with her roommate and
Dinosaurs may be the most beloved creatures to ever exist - sans cute puppies and cats on the internet. They're usually everyone first obsession when they're young, and no one ever gets tired of seeing a T-rex. So why are most dinosaur movies, built on the backs of surefire hit animal so bad all
They say “judge not, lest ye be judged.” Those are strong words when it comes to life, especially when re-examining them through the struggles of Wile E. Coyote in the formerly cancelled film that is Coyote vs. Acme. A long in-development picture, the world almost didn’t get to see this
Paramount Pictures has released the final trailer for the crime thriller, By Any Means. The film is based on a true story of a young Black FBI agent (Yahya Abdul-Mateen II) who works with a mafia hitman (Mark Wahlberg) in 1960's Mississippi to investigate a series of killings targeting civil rights
Disney has been in various stages of development on a new Princess Diaries, from a third entry to a spinoff, and at one point a Disney+ series was even considered. As of now, The Princess Diaries 3 is in the works, and while Anne Hathaway is expected to return, a Disney legend will not be joining
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean