Derrick Murray is a Los Angeles based film critic and Content Producer for ForReel. He has covered numerous film festivals including Sundance, TIFF, SXSW and Venice and was previously selected for the TIFF Media Inclusion Initiative. He can always be found watching movies in a theater with a large popcorn.
Few studios have set such a precedent within their own genre quite like Laika Studios. With each painstakingly crafted story, they consistently find new ways to level up stop motion animation and push the limits of what can be accomplished. Stop motion is already a marvelous feat of patience and
Once in a generation, a film comes along that redefines how we think about movies. Something so incisive, so singular, it can only be understood from the moment it is consumed rather than informed by anything previously accomplished. You Can See Everything is that kind of work. A masterpiece in
By now, you know how much of a sucker I am for wholly embraced absurdity and weirdness in cinema. Movies that know what they are and have no shame in being them will always be for me. Back in Black has that all covered in spades. A pitch black comedy thriller that satirically uses the macabre and
Ambition has been a driving force in cinema in 2026. From veterans to auteurs, everyone with a camera seems to be trying to push the limits of what films can be, letting loose their best and worst tendencies and tackling big, sweeping, complex narratives. In a crowded year - particularly
By far and away the best title at TIFF, Everybody Wants to F*ck Me ranked as one of my most anticipated films on the lineup. And I'm happy to report that it delivered. What's more, it lived up to its title in every way, delivering a dark, twisted, thriller that packs as many satirical laughs into
Now that Digger is out into the world, it has unleashed a bevy of online discourse. Everything from masterpiece to worst of the decade, to box office bomb to a predicted 10 year revisionist reclamation - everyone has something to say about Digger. And no two opinions seem to match, the hives on
The Apothecary Diaries has the cast finally begin to prepare for the incoming locust plague in Ep. 52 "The Last Volume". Sure, they could've prepared much sooner. However, without the intel gained in this episode, those preparations wouldn't have been nearly as guided as they are here. Now it's
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political