Sometimes you can sense when a film isn't going to make a splash. The right amount of awareness isn't there, or there is a general disdain towards a project that has turned the masses off. The live-action Moana, which is an adaptation of the popular Disney animated franchise, falls into the latter.
This weekend's box office delivered a familiar reminder that family audiences remain one of Hollywood's safest bets. Minions & Monsters comfortably claimed first place, ending Toy Story 5's brief reign while reinforcing what has become one of 2026's clearest trends: if you can get parents and
This weekend's box office largely played out as expected, though not every prediction landed perfectly. Toy Story 5 continued its dominance exactly as anticipated, while Supergirl came in almost dead on its forecast despite the muted audience response leading into release. The bigger miss belonged
This weekend's box office belonged entirely to Pixar. After years away from theatres, Toy Story 5 arrived with a massive debut that immediately became one of the year's biggest openings. The animated sequel overwhelmed the competition, while the rest of the top five consisted entirely of holdovers
This weekend's box office saw a new champion emerge as Steven Spielberg's Disclosure Day arrived almost exactly where expectations suggested it would. While the film did not deliver the kind of earth shattering debut associated with some of Spielberg's biggest blockbusters, it still had little
This weekend saw the release of what some box office analysts are calling the first bomb summer, with the arrival of Masters of the Universe. The film, carrying a reported $170-200 million budget, opened to $29.4 million domestically and $54.4 million worldwide, which is not the best start for a
Horror continued its remarkable run at the box office this weekend, but it wasn't the viral phenomenon Backrooms that came out on top. Instead, Scary Movie returned to theaters with a massive debut, proving that audiences still have an appetite for horror comedies when the brand recognition is
Horror once again proved its value at the box office this weekend. While major franchises and established brands continued to occupy the charts, it was Backrooms that completely stole the show, delivering a breakout debut that vastly exceeded expectations and demonstrated the continued drawing
We're in the era of liminal spaces, folks. Movies like Skinamarink, Backrooms, and Exit 8 have all proven that audiences, especially younger audiences, can't get enough of them. it Ends brings us really two liminal spaces in one movie. The film tells the story of four friends who are getting
What happens when you combine the powers of the director (Jean-François Richet) behind the absolutely smashing Plane and Jason Statham wrecking human traffickers left and right? You get Mutiny. Now the movie isn't just called Boat or Ship, and it really isn't part of the "Jason Statham Has A Job
Jaadugar: A Witch in Mongolia delves deep into the backstory of Töregene and why she hates the Mongols in Ep. 6 "The Mergen People". Honestly, after seeing all of that, you can easily see why Sitara / Fatima empathizes with her so much. Their respective backstories have similar beats, and each
