“Great Scott!” If you've been wanting to see Robert Zemeckis’ 1985 sci-fi classic Back to the Future on the big screen, now is your chance. You won't even need a DeLorean to relive Marty McFly's time-traveling adventure. Back to the Future is turning 40 this year, and to celebrate, it's
Bob Odenkirk is back as suburban dad, Hutch Mansell, in Nobody 2. Universal Pictures has released the official trailer for the action-packed sequel. This time around, Hutch inadvertently gets himself on the wrong side of a crime boss while on a family vacation. The trailer gives audiences a nearly
Great Scott! Back to the Future fans won’t want to miss October's LA Comic Con, which will feature a special cast reunion. Stars of the beloved 1985 sci-fi comedy Michael J. Fox (Marty McFly), Christopher Lloyd (Doc Brown), Lea Thompson (Lorraine Baines), and Thomas Wilson (Biff Tannen) will all
When Emmy-winning series Hacks returns for season 3, it will feature a few new faces. Max announced six guest stars for the upcoming season today. The newly revealed cast members include Helen Hunt (“Blindspotting,” “Mad About You,” “Twister,” “As Good as it Gets”), Christina
If you are a fan of the Back to the Future franchise, you're definitely going to want to check out FAN EXPO Chicago. This year features a cast reunion from the film series. Fans will be able to meet Michael J. Fox (Marty McFly), Christopher Lloyd (Doc Brown), Lea Thompson (Lorraine Baines-McFly),
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean