If you are familiar with my reviews, you know, for the most part, I am not anti-reboots of old films and TV series. So, when I learned Hulu was remaking the classic 1992 film, White Men Can’t Jump, I actually thought it was the perfect background to update it for a new generation. The original
Creature feature films are a staple of the horror movie genre. Critters, Tremors, The Blob, Arachnophobia, and even Godzilla are all staples in my horror movie 101 upbringing. However, Hulu's Grimcutty has the formula but maybe they needed a calculator to figure out the finer points of
Lost in the Reel's video review of Not Okay Have you ever felt so conflicted with a movie, that you couldn’t put your finger on whether you loved it or hated it? Well, that is how I felt after watching Hulu’s new original film Not Okay. So, I want to dive into the negatives first and then
This June, we are getting a slew of LGBTQ+ oriented entertainment as Hulu is also dropping the final season of Love, Victor, Peacock is releasing the first season of their Queer as Folk reboot and AMC+ will be unveiling the incredible Ben Wishaw-led This Is Going to Hurt. Suffice to say, that
Lost in the Reel's video review for Deep WaterThere is so much about Deep Water that truly had me excited for what was to come. First off, we have famed director Adrian Lyne returning to helm a movie after over two decades away from the spotlight. And even better, he's returning to the
Lost in the Reel's video review for False Positive.Many comedic actors have turned to horror throughout the years, much of the time to great success. Which goes to show you that the line between the two genres is quite blurred, indeed. The greatest success in recent memory has been that of
The Apothecary Diaries has the cast finally begin to prepare for the incoming locust plague in Ep. 52 "The Last Volume". Sure, they could've prepared much sooner. However, without the intel gained in this episode, those preparations wouldn't have been nearly as guided as they are here. Now it's
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Sasaki and Peeps gives us plots galore being brewed up, as you might expect from Ep. 15 "Concealment and Infiltration" with that title. Complete with both the faking of a death and an undercover operation to investigate the death game faction. It's all great ingredients for some serious political