Super Bowl LX clearly crowned a winner and loser in the sporting history books. With the Seattle Seahawks besting the New England Patriots, in a 29-13 showdown, the NFL has had its final say. But what about the pop culture landscape? Well, that’s where us entertainment journalists come into play -
At the heart of any fandom that includes multiple starring characters, one question reigns supreme. That very query is at the heart of the Super Bowl LX ad that was aired tonight, celebrating the ongoing 30th anniversary festivities for Pokémon. Tapping the likes of Lady Gaga, Trevor Noah, and an
Wednesday is a rather fascinating spinoff of the 1938 The Addams Family cartoon by Charles Addams. Not least of which is that it's the latest live-action adaptation of that dark comedy franchise. It's not the first though. The original The Addams Family black and white TV series from 1964 claims
!['Joker: Folie à Deux' - Great Performances Can't Hold Up This Overbloated Sequel [Review]](https://thathollywoodshow.com/wp-content/uploads/2024/10/c54982ae-5f9b-4cfb-9666-9d4e43738ae2-660x371.webp "c54982ae-5f9b-4cfb-9666-9d4e43738ae2")
A movie realistically should make you think. It should make you feel something. Otherwise it doesn't succeed at what it set out to do. Flashing lights, images, sound, they all come together to make a movie, and that movie creates a response from the audience. Joker: Folie à Deux is a sequel to a
Warner Bros. Pictures has released the new trailer for Joker: Folie À Deux. The film is the much-anticipated follow-up to 2019’s Academy Award-winning Joker. Joaquin Phoenix is back reprising his Oscar-winning dual role as Arthur Fleck/Joker, opposite Oscar-winner Lady Gaga (A Star Is Born).
As we slip further into 2024, we’re also slipping a little closer to shared madness… aka, Joker: Folie à Deux. The sequel to 2019’s critically acclaimed feature starring Joaquin Phoenix will debut later this year. Now, fans are finally getting a closer look at the upcoming film. During
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge
