Pixar SparkShorts continue their roll-out this week on Disney+ after Dug Days, with Twenty Something. Aphton Corbin, a long-time animator at Pixar, has been given a shot at her first short film. And although the use of 2-D animation might seem a bit odd for the studio who are mostly
Pixar stunned the world with their beloved Oscar-Winning film Up in 2009. And now, keeping in line with their theme of adding new content based upon their old properties... Disney+ will be streaming Dug Days on September 1st, 2021. The series, consisting of 5 short episodes, follows Dug, the
Set in a seaside town on the Italian Riviera, Disney and Pixar's original film Luca is a coming-of-age story about two boys who go on an exciting summer adventure.
Onward is the latest from Pixar animation with the leading voice talents of Chris Pratt and Tom Holland. The world crafted for Onward is a unique spin on classic mythology. There are dragons and trolls and pixies and everything you can think of from the ancient sword and sandal
Let's get right to it: Disney and Pixar's 'Onward' is a Masterpiece. The studio delivered once again with a family-friendly quest that will have audiences laughing and crying the whole way through. Onward is a funny and witty adventure that follows two elf brothers, Ian Lightfoot (Tom Holland) and
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
So we're getting a prequel series to Friday the 13th that tells us the story of how Jason came to be and how Pamela Voorhees went crazy. That's an interesting idea and especially today where its safe to say that the slasher icons aren't at their strongest in popularity. People want different things
Ambition has been a driving force in cinema in 2026. From veterans to auteurs, everyone with a camera seems to be trying to push the limits of what films can be, letting loose their best and worst tendencies and tackling big, sweeping, complex narratives. In a crowded year - particularly