Netflix has released the first look at the upcoming animated feature film, "Ray Gunn". The film is directed by two-time Academy Award winner Brad Bird who also directed "Ratatouille" and "The Incredibles". Along with the first look at the film, the streaming giant has also announced that Sam
On a good day, I like to think of myself as a connoisseur of cinema; but even I am a man who can enjoy simple tastes. For me, the intersection of such joys continues to be the works of writer/director Martin McDonagh. As we’ve seen in films like The Banshees of Inisherin, he can make us laugh and
As an entertainment journalist/movie fan who’s keeping their eye on the 2025 fall movies and beyond, I’m also up for something totally out there in the near future. When it’s an effort from someone like writer/director Gore Verbinski, a man who knows how to “really go for it,” I’m
The Bad Guys is one of the biggest animation hits since 2020 and Dreamworks Animation Studios is looking to build on that success with The Bad Guys 2. To be fair, the studio has been spinning franchises for decades now, and that train doesn't look to stop with The Bad Guys 2. While the end of the
![Argylle - Bombastic Action Upended By Too Many Endings [Review]](https://thathollywoodshow.com/wp-content/uploads/2024/01/415687379_291842907235480_7685304036687524858_n-660x371.webp "415687379_291842907235480_7685304036687524858_n")
From the onset, Argylle feels like it should be bigger, badder, and more special than it is. After a smashing first 25 or so minutes, the movie simply deflates a bit. The Matthew Vaugn-directed picture is about as bombastic as his other movies, but it combines that with a length that sorely needed
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
