Stranger Things: Tales From ‘85 heads to Netflix in 2026. The streamer announced The new animated series today showrunner Eric Robles is excited to bring fans back to Hawkins in the winter of 1985. There are new monsters and of course a central mystery for our familiar looking friends. The Duffers
Today at Star Wars Celebration 2025 in Japan, Lucasfilm’s President Kathleen Kennedy and Chief Creative Officer Dave Filoni announced an all-new theatrical release set in the Star Wars Galaxy. “Star Wars: Starfighter” will open exclusively in theaters May 28, 2027.
Deadpool and Wolverine director Shawn Levy is no stranger to big-budget franchises. He's directed for the MCU and Stranger Things, and it looks like according to Deadline, he's in line for another Marvel film. The director is in talks for a movie that could possibly be the next Avengers movie.
To be surprised by a movie these days is almost impossible. Most movies have massive media/ad campaigns long before you see them. Trailers give out plot details like grandmothers hand out sweets. Stars let spoilers slip during interviews. The machine keeps rolling and it's hard to actually go into
We've had to wait quite a while for Free Guy. It was originally supposed to release in July of 2020. We all know what got in the way of that. But now, rejoice, the film is releasing Friday, August 13th. Like the game in the movie, Free City, Free Guy is the little movie that could. It's one of the
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
