V/H/S/BEYOND is nearly here. The anthology horror film hits Shudder and AMC+ on October 4th. The series highlights several filmmakers with short anthology segments each iteration, this time around they've got segments directed by: JORDAN DOWNEY (ThanksKilling, The Head Hunter) CHRISTIAN LONG &
V/H/S/BEYOND is heading to Shudder on October 4th, 2024. Since the move to the preeminent horror streaming service, the series has never been better. It'll make it's theatrical debut at Fantastic Fest 2024. Check out the new poster for the release below. The series is known for its anthology
The V/H/S franchise has been going strong, and even stronger since they've moved their home to Shudder. The seventh installment in the series V/H/S/Beyond is making its theatrical debut at Fantastic Fest 2024 and then hitting Shudder on October 4th. The series is known for its anthology format,
Fantastic Fest launches its 19th film and television festival this fall at the world-famous Alamo Drafthouse in Austin. This year’s event will feature 28 world premieres, 23 international and North American premieres, and 15 US premieres, as well as plenty of special events and famous guests.
The V/H/S series is going to space. Well, it might be going to space, the next installment in the long-running anthology horror series titled V/H/S/Beyond is heading to Shudder this Halloween season with some new filmmakers on board and a sci-fi theme. It debuts on Shudder exclusively on October
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
