This is it. We are in the last episode of HBO Max’s And Just Like That… Man, this series was one heck of a ride. This show is a fabulous example of how reboots can be great if done properly. It continues the narrative, without making it feel like the same old story we have with the
When Season 2 of Netflix’s Raising Dion was announced I was really excited. I absolutely loved Season 1 - it felt like a whole new take on the superhero genre. Then Season 2 happened. While I enjoyed it overall, it felt more like a Kingdom Hearts game for a handheld device than a season
The 90’s sci-fi series Quantum Leap is getting a reboot at NBC. And now, we’ve got a better idea of what fans can expect from the upcoming series. The original Quantum Leap followed physicist Sam Beckett as he time-hopped through various eras by “leaping” into the bodies of other people.
It's been a while since we've had a good disaster movie. After 2020, we all collectively lived through one, so that means that someone's gotta pick up the slack. Enter Roland Emmerich, he might be the modern King of the disaster movie. Whether that's Independence Day, Godzilla (1998), The Day After
Demon Slayer: Entertainment District Arc Ep. 9 "Defeating an Upper Rank Demon" makes you think that just from the title alone. Boy, did it fool everyone. Me included. This key art gives no indication of what happens in this episode whatsoever. Demon Slayer: Entertainment District Arc Ep. 9
Lost in the Reel's video review for The Worst Person in the World.The Worst Person in the World is a deeply felt and raw character study. Both brutally honest and compassionately understanding in its observations of human behavior. It has been quite a while since I've seen a film that delves so
Daemons of the Shadow Realm gives us some truly fateful meetings between old friends (and family) and new in Ep. 14 "Family and Friends". All complete with some dark secrets spilling forth out of the shadows, and Yuru's bond with his old friends and family being tested quite a bit. All in all, I
Cinema history is riddled with both coming-of-age tales and biopics aplenty. Tony, the new feature by Matt Johnson (BlackBerry, Nirvanna the Band the Show the Movie), lies at the intersection of these well-worn traditions. Based on Anthony Bourdain’s chronicles of his early journey into the
Indulging every absurd idea that pops into his head, the film unfolds with propulsive vibrance and unshackled execution. That approach turns out to be a bit of a gift and a curse for Riley; a gift in the sense that we get something fresh and original, but a curse because its unbridled approach
