Mondo has announced the latest entry in their ongoing Marvel Cinematic Universe music series. Doctor Strange In The Multiverse of Madness will have its soundtrack, by Danny Elfman, released in a 2xLP pressing. The special release features all-new artwork by Florian Bertmer. The album will be
If like us, you’re ready to exchange the chaos of the 2020s for the speak-easy allure of the roaring 1920s, then Hollywood, CA, might be your next go-to destination. That’s because a weird, wacky, yet sensual new freak show has just arrived, and it might just be the kind of phantasmagoria that
Lost in the Reel's video review for CandyHulu is back at it again with another dramatized true crime series, with Candy. Although this is one of my favorite genres, it seems as if every single week we are getting a new show with a prestige cast playing out some kind of stranger-than-fiction
The Last Drive-In With Joe Bob Briggs is back in full swing and with the second episode of Season 4; and with Week 2 Joe Bob and Darcy decided to get very Witch-y on Shudder! If you've never heard of Joe Bob Briggs or The Last Drive-In, every week during the course of their season, Joe Bob Briggs
There are certain artists that you know didn't last as long as they should have. Randy Rhoads was one of those special people. His talents brought up Quiet Riot and Ozzy Osbourne's solo career. Without Rhoads, we might have a very different landscape of the hard rock and heavy metal scene. The new
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge