Back in 2018, director David Gordon Green brought Michael Myers back to the mainstream with Halloween, a direct sequel to John Carpenter's 1978 masterpiece. The decision was made to disregard all sequels after the first film, making it a PTSD story about how one night of unholy terror affected
Whether you like or viscerally hate Halloween Ends (more on this movie later in Fright-A-Thon), it gave this current era of Halloween a conclusion. But the question always lingers like Michael Myers down in the sewers of Haddonfield: What's next? Well, if any internet rumors are true, the Akkad
We already wrote about how horror has dominated the 2022 box office. A good portion of that is because of original horror. However, some other equal portion of that is because of "legacy" horror films. We've had Hellraiser, Halloween Ends, Texas Chainsaw Massacre, Prey, and Scream released this
Did that title get you to click on this article? Point proven. I could have titled this plenty of things that would have captured your eye like "Why Halloween Ends Is The Worst Abomination Of Mankind Since Rob Zombie's Halloween II" or maybe something like "Why Halloween Ends Is The Best Sequel
This is a spoiler-free review of Halloween Ends. Halloween Ends is supposed to be the conclusion to decades of stories between Michael Myers and Laurie Strode. It's billed as their final battle, and when it gets to that point, it really is. However, the story in between that is lacking. Overall,
We've had haunted house movies. Sure, but have we had a haunted van movie? That's what Passenger amounts to at its most distilled form. This is a horror movie about a demonic force (the opposite of Saint Christopher) that has been chasing and killing travelers for hundreds of years. Basically, the
Magnificently rendered and beautifully shot, Samurai and the Prisoner is endlessly entertaining even as it sprawls about the walls of the castle and keeps its measured, somber approach. It blends a classic murder mystery with historical epic, which is a strange combination that someone only as
Though marital arts action cinema is vast and varied, it is rare for one to elevate the genre and push it forward. There have been few recently - The Raid comes to mind, and while not technically "martial arts" I'd argue John Wick counts - that feel as if something new and special is happening.
