Blue Box Ep. 25 "Even So" marks the finale of the first season of this anime. As you might expect from the previous episode, this one deals with the wreck of the Hina ship that sunk then. Interestingly, it's the way the story deals with that ship sinking in a way that blames neither party that
Blue Box Ep. 24 "A Roller Coaster" isn't quite as exciting as the title makes it out to be. In fact, it varies from being light-hearted fun to being downright tragic, with the roller coaster aspect of the show bringing the emotional feels swinging up and down until it hits the ground. Alas, this is
The clue to as what Blue Box Ep. 23 "Spinning" is all about is in the title. Taiki is basically spinning in place as he goes into emotional turmoil over his feelings towards both Chinatsu and Hina. It's torture for him, but good entertainment for us. Blue Box Ep. 23 "Spinning": Details There's a
Blue Box Ep. 20 "As One of Her Closest Friends" has a bit of a emergency happen with the local school's Snow White play. Mostly due to the prince being a no-show. Fortunately, Taiki is there to save the day as a substitute prince! With some interesting complications for his love life considering
Blue Box Ep. 19 "I've Got Plans" is the day of a cultural festival: a kind of open campus festival typical for Japanese schools, and is thus typical of school-focused slice of life anime in general. As it turns out, this anime is no different from them. However, it does have the advantage of that
Blue Box Ep. 18 "I Know" has Taiki engage in a badminton battle of the century against Shūji Yusa. All in spite of the fact that it's a practice match and theoretically not as important as an actual match. Theoretically, that is. If you think about it though, it's great prep for those real matches
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean