In a Gossip Girl reboot world, you may be wondering, “Who started the Socialite craze?” Well, I’m here to tell you, and she’s here to remind you, before Blair Waldorf, before the Kardashians, there was Paris Hilton. Now there's Cooking With Paris. If you’re anything
Okay, let me get this out of the way first. SPOILERS! Spoilers abound! I just cannot talk about the new Netflix series from Kevin Smith, Masters of the Universe: Revelation and properly address the so-called “controversy” that’s been flittering about for the last few months, without revealing
Almost one year ago, Netflix launched the latest chapter in the Transformers saga called War For Cybertron. Books and comics covered the fall of Cybertron, but this was the first visual media to cover it. In Siege we saw the fall of Transformers society and the loss of the Allspark at the hands of
Lost in the Reel's Ranking and Review for The Fear Street Trilogy Fear Street Part Three: 1666 is wildly different from the first two installments of this trilogy. And I have a feeling some are going to like this one the least. Why? Because many of the things that people latched on to with
Lost in the Reel's video review for Gunpowder Milkshake. Gunpowder Milkshake will be compared to the John Wick films in pretty much every review you read or watch. The film does not shy away from its similarities, in any instance. There is an underground legion of assassins, who have a
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
Joe Bob Briggs and Darcy the Mail Girl returned for The Last Drive-In: Joe Bob's Halloween House Party, delivering a double feature built around two very different approaches to Halloween horror. This time, the legendary horror host paired Body Bags (1993) with WNUF Halloween Special (2013),
Paweł Pawlikowski’s new film is a dense exploration of a very specific part of Thomas Mann’s life and Germany’s history. Winning Best Picture at Cannes and chosen as Poland’s submission for Best International Film, the film expects a certain level of historical and geographic knowledge