The Saw series laid dormant for quite a while until the triumphant return of Saw X in 2023. The runaway success of that film led to an eleventh film getting greenlit for a 2024 release almost immediately. Like most movies, there were issues, which meant a delay to 2025. Anything to make the best
For famous horror franchises, we haven't really had a good box set on Blu-ray for the Saw series. However, now that Saw X is out and in the world, we need a 10-film set. Luckily for us, Lionsgate is up to the task. They're putting out a ten-film set of Saw on March 5th, 2024. Get ready to celebrate
With the release of Saw X this weekend, longtime fans of the series are celebrating. The movie is getting rave reviews from horror fans seeing it early, including our own review here. It's always an achievement when a series can hit ten entries. When you go this deep, including the twisting,
The Saw series is one that's filled with plenty of hits and also plenty of misses. At a certain point, the traps became the focus instead of the characters. Enter Saw X. The last we've seen of this series was Spiral: From The Book Of Saw. That movie wasn't quite a sequel, but it's still very much
Saw X looks to bring the Saw series back to its roots. Terrify audiences with inventive traps, John Kramer, and of course, playing the game. This new film is set between Saw and Saw II. If you need a synopsis, here's one from Lionsgate. John Kramer (Tobin Bell) is back. The most chilling
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
