Every year since its inception all the way back in 1992, Anime Expo has had fans showcase some amazing cosplay at the convention. Anime Expo 2026 is no exception, with flocks of fans showing up garbed in the outfits of their favorite characters from their favorite series. Some are direct
At every LA Comic-Con (LACC), there's a veritable army of dedicated fans cosplaying characters from their favorite media. This year is no exception, and LACC 2025 is all the better for it. With a year's worth of media content popping up in between 2024 and 2025, we have all sorts of new things for
![My Dress-Up Darling Ep. 15-16: Cosplay vs. Gender Norms [Review]](https://thathollywoodshow.com/wp-content/uploads/2025/08/eb18812b-5c59-45ff-931a-0c579ece9ddc-660x371.webp "eb18812b-5c59-45ff-931a-0c579ece9ddc")
The third and fourth episodes of the second season of My Dress-Up Darling (aka. Ep. 15-16) continues and builds upon the plot of the previous episode in a big way. Namely, in how cosplay can clash heavily with gender roles in a highly conservative society. Fortunately, this story is about how the
My Dress-Up Darling is one of the best romantic comedy anime I've ever seen. It also provides a very deep behind-the-scenes look into the nitty-gritty details of cosplay. Surprisingly, when you mash these genres together, you get a very good anime series. With an interesting amount of light
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
Carrie is one of Stephen King’s most loved and cherished works of fiction. Made into a seminal 1976 film and a later, more disappointing 2013 one, Carrie is an ageless tale of bullying, puberty, and female rage. When Mike Flanagan announced he was tackling the story of a telekinetic
For anyone who grew up in the early 2000s and more specifically in the wake of Post 9/11 America, To Catch a Predator was a ubiquitous show that felt like the start of something new in media and journalism. A beacon of sensationalist entertainment approached with reckless abandon but wholly
