Helldivers 2 is perhaps one of the most famous video games in modern history. A combination of satisfying gameplay, good development decisions by Arrowhead Game Studios, fantastic soundtrack by composer Wilbert Roget II, darkly hilarious worldbuilding set in a critical parody of a fascist society
Helldivers 2 is getting an official crossover with Warhammer 40,000. This by itself is not new information. We've known that developer Arrowhead Game Studios partnered with Games Workshop to bring the two universes together back when they released a trailer on YouTube for that crossover on May 22,
Ever since Helldivers 2 launched back in February 2024, it has seen a shocking surge in popularity far, far higher than developer Arrowhead Game Studios could even dream of. Despite some rough patches, it has still survived as one of the most popular shooter games in recent history. A significant
Since its release in 2024, Helldivers II has entertained many gamers who want to conquer alien hordes in the name of democracy. With the gaming adaptation boom still making hay at the movie market, a theatrical film adaptation was surely around the corner. After last December's announcement of
Since Helldivers 2 made its video game debut on February 8, 2024 for the PS5 and PC, it has achieved some shocking levels of success. Certainly far, far beyond what the developers at Arrowhead Game Studios ever intended for this third-person co-op shooter to achieve. And now with the recent
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
Carrie is one of Stephen King’s most loved and cherished works of fiction. Made into a seminal 1976 film and a later, more disappointing 2013 one, Carrie is an ageless tale of bullying, puberty, and female rage. When Mike Flanagan announced he was tackling the story of a telekinetic
For anyone who grew up in the early 2000s and more specifically in the wake of Post 9/11 America, To Catch a Predator was a ubiquitous show that felt like the start of something new in media and journalism. A beacon of sensationalist entertainment approached with reckless abandon but wholly
