So, Peacock has unveiled exclusive images of activist and icon Malala Yousafzai in her guest appearance in Season 2 of We Are Lady Parts! Also, make sure to read my review of the show here! Malala Yousafzai is a Pakistani activist for female education as well as the youngest Nobel Prize laureate.
If you're unfamiliar with the incredible Peacock Series, We Are Lady Parts, do yourself a favor and watch it! It was my favorite series of 2021, and now, 3 years later, we are FINALLY getting the well-deserved season 2! We Are Lady Parts tells the story of an all-female, Muslim punk band – Lady
Your favorite Punk Rock Muslim Women are back in season 2 of We Are Lady Parts coming to Peacock! In Season 2 the band regroups with a revitalized artistic vision following the success of their initial UK tour. However, their newfound momentum is challenged by a rival band that jeopardizes their
Peacock and Channel4s series, We Are Lady Parts is one of my favorite series of the past 5 years. The series is created, written, and directed by Nida Manzoor drawing from her own experiences around the diverse culture and artists in London. So, We Are Lady Parts tells the story of an all-female,
Peacock streaming service is rolling out the hits! First, with the Saved By the Bell Reboot and then Punky Brewster. Now in partnership with Channel 4, Peacock gives us a musical comedy series, We Are Lady Parts. The series is created, written, and directed by Nida Manzoor who is said to have drawn
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
