STARZ’s best-performing current original series is coming back for round three and its last bow. STARZ's "P-Valley" (from creator, executive producer and Pulitzer Prize winner Katori Hall) is coming to an end, but it's not going quietly. The third and final season of the popular and sensational
Starz acquire the US and Canadian rights to hit British show Tip Toe.
Starz's new five-part series, Amadeus, sees Paul Bettany’s Salieri face off against Will Sharpe’ Mozart. Based on Peter Shaffer's 1979 play, the show explores the two musical rivals as they strive to become the most respected artists in 18th-century Vienna. The first thing you need to do when
STARZ has acquired the US rights to Amadeus, the five-part series about the real-life rivalry between composers Mozart and Salieri. Based on Peter Shaffer’s 1979 award-winning play and adapted by Joe Barton (Black Doves), the show stars Will Sharpe (White Lotus) as Mozart and Paul Bettany
"Spartacus: House of Ashur" is here and builds on everything that made the original STARZ series a hit. What if Ashur had lived, and the Romans rewarded his treachery with the gladiator school where he once bled? With the two-episode premiere, new episodes will stream weekly on Fridays on the STARZ
STARZ made a major splash in Hall H at Comic-Con International today. Announcing that the eighth and final season of the time-travelling epic romance Outlander will premiere in early 2026. Comic-Con attendees got an exclusive first look at the teaser trailer for the new season. Which highlights
The magnitude of human achievement is as high as Everest itself. The depths in which we can push ourselves beyond assumed capability is quite astounding, and Everest: The Other Side is a prime example of unbelievable human feats. The risks and dangers are all optional, but the drive for greatness
Animated movies targeted to children are basically required by law to have a big musical number at some point in their runtime in 2026. But, The Cat in the Hat’s earworm title song hits pretty early in the film. As you know, from both commercials and the fact you clicked on this article, Bill
In his first film in almost a decade, Lee Chang-dong (Burning) languidly explores class in a thematically rich piece that rewards attentive audiences. It’s a dense, intricately written, almost three-hour movie that seems mundane on the surface but offers real psychological insight into Korean
