The V/H/S series has been a mainstay on Shudder for the Halloween season for a while now. They're bringing the found footage anthology madness back with the ninth installment, V/H/S/MIXTAPE. The new anthology brings in the themes of music and sound as the source of terror. United by a theme that
"V/H/S/Halloween" is the next feature found footage horror anthology coming to Shudder on October 3. This franchise has an a great place for filmmakers to test out horrific ideas in the form of a short film. The latest "V/H/S" like the title suggests focuses on the real terror happening during all
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The eighth installment in the V/H/S series is coming this October to Shudder and makes its world premiere at Fantastic Fest in September. V/H/S/Halloween is a collection of Halloween-themed videotapes that unleashes a series of tales of terror all themed around everyone's favorite holiday. Each
The V/H/S series is going to space. Well, it might be going to space, the next installment in the long-running anthology horror series titled V/H/S/Beyond is heading to Shudder this Halloween season with some new filmmakers on board and a sci-fi theme. It debuts on Shudder exclusively on October
The V/H/S series has long been a favorite of horror fans out there. It's been dormant for seven years, but now thanks to Shudder, we have a new installment. V/H/S/94 takes us back to the past when a SWAT team finds video tapes inside a death cult's hideout. The tapes show five stories, some more
Onimusha: Way of the Sword is a franchise revival that feels like it understands what made the original games so much fun. The gameplay is fast, frantic, and often delightfully violent, while the game throws a surprisingly large number of systems and mechanics at you. Thankfully, most of them feel
"Universal Monsters: The Bride of Frankenstein Lives #1" is an intriguing start to the four-part story of the classic monster's origin.
For a film called All Of A Sudden, very little happens suddenly in Hamaguchi Ryusuke’s sensitive portrayal of friendship and care. The director (Drive My Car) has a particularly patient style of filmmaking that is not universally appealing, but it captures humanity in all its messy earnestness.
